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Sandback, Fred

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Stretching lengths of yarn across interior spaces, American artist Fred Sandback (1943-2003) created expansive works that underscore the physical presence of the viewer. This book, the first major study of Sandback, explores the full range of his art, which not only disrupts traditional conceptions of material presence, but also stages an ethics of interaction between object and observer. Drawing on Sandback's substantial archive, Edward A. Vazquez demonstrates that the artist's work with all its physical slightness and attentiveness to place, as well as its relationship to minimal and conceptual art of the 1960s creates a link between viewers and space that is best understood as sculptural even as it almost surpasses physical form. At the same time, the economy of Sandback's site-determined practice draws viewers' focus to their connection to space and others sharing it. As Vazquez shows, Sandback's art aims for nothing less than a total recalibration of the senses, as the spectator is caught on neither one side nor the other of an object or space, but powerfully within it.

Concept-art. --- Conceptual art. --- Conceptual art. --- Installation. --- Installations (Art). --- Installations (Art). --- Minimal sculpture. --- Minimal sculpture. --- Plastik. --- Space and time in art. --- Space and time in art. --- Sandback, Fred, --- Sandback, Fred, --- Sandback, Fred,

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Fred Sandback (1943–2003), a prominent Minimalist artist, and the Pritzker Prize winning architect Luis Barragán (1902–1988) shared an interest in the properties of light and color, which they considered central to their practices.In 2016 sculptures by the artist were temporarily installed in the architect’s Casa Luis Barragán, Casa Antonio Gálvez, Cuadra San Cristóbal, and Casa Gilardi. The resulting interplay was documented in remarkable photographs and is presented for the first time in this publication with essays by Barragan Foundation Director Federica Zanco and curator Daniel Garza Usabiaga, as well as a conversation between architect Roger Duffy, artist Amavong Panya, curator Lilian Tone, and art historian Edward Vazquez.

Color in architecture. --- Light in architecture. --- Sculpture and architecture --- Barragán, Luis, --- Sandback, Fred, --- Criticism and interpretation.

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Artschwager, Richard --- Borofsky, Jon --- Francis, Linda --- Grosvenor, Robert --- Insley, Will --- Lundberg, Bill --- Matta-Clark, Gordon --- Nauman, Bruce --- Rosenthal, Stephen --- Sandback, Fred --- Shapiro, Joel --- Sharits, Paul --- Sonnier, Keith --- Thek, Paul --- Turrell, James --- Tuttle, Richard --- Va, Barry le --- Wegman, William --- Wilson, Robert

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kunst --- Sammlung Verbund --- eenentwintigste eeuw --- ruimtelijkheid --- ruimte --- 77.039 --- 7.039 --- 77.038/039 --- 7.038/039 --- Yalter Nil --- Wojnarowicz David --- Welling James --- Wall Jeff --- Sandback Fred --- Özgen Erkan --- Özmen Sener --- Neto Ernesto --- Monzavi Tahmineh --- McCall Anthony --- Mayer Ursula --- twintigste eeuw --- Matta-Clark Gordon --- Lawler Louise --- Koester Joachim --- Birchler Alexander --- Hubbard Teresa --- Gill Simryn --- Floyer Ceal --- Bures Miller George --- Cardiff Janet --- Burr Tom --- Bloom Barbara --- Becher Hilla --- architectuurfotografie --- Becher Bernd --- Antin Eleanor --- Alÿs Francis --- Acconci Vito --- fotografie --- stedenbouw --- stedelijkheid --- kunst en architectuur --- architectuur --- Exhibitions --- Art [Modern ] --- 20th century --- 21st century